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The unexpected return to the jungle
It is a sunny morning in Hertfordshire, England, and I find at Leavesden Studios, Warner Bros., where a group of journalists will meet with the most popular of all time wild man. We walked by very large tents that serve as warehouses and departments of different areas: art, costumes and makeup. When I least realize, what began as a film studio is more like a machine broken time: around us there are more than 300 people, all dressed in the style of the late nineteenth century, or the characterization of imposing tribal warriors. In front of us there is a huge line of men and women in Victorian court waiting to eat fish and chips serve them in a foodtruck. On the other hand, a man of an African tribe one selfie is taken while your friends retouch their makeup. When looking further afield you can see Samuel L. Jackson dressed in what looks like a robe and a turban (which, incidentally, are not part of your wardrobe on tape) grabbing a cupcake. Among the eclectic mix that causes a feeling of both fascination and discomfort, not to be dressed for the occasion. A lack of belonging that only Tarzan -now played by Alexander Skarsgárd- understand.
He could not be more wrong, because man is more comfortable than ever. In The Legend of Tarzan (directed by David Yates), the protagonist has left the loincloth in the past, and has changed for the best London fashions. Now his name is John Clayton III and is perfectly coupled to civilized life "This is the story of a man who grew up in the jungle, but when we know it already has in London a decade. It is a Lord and plans to stay forever in London . Everything changes when George Washington Williams (Jackson) comes with a very convincing argument to return to the Congo ', reveals the actor. As expected, this powerful reason is nothing but a hoax captain Leon Rom (Christoph Waltz) to carry out a destructive plan. And although the film will see John reunited with Tarzan, her wild side, now on the set not see anything like that. Nobody walks on all fours or hangs from lianas. in the scene we see Clayton has just received the news of their inevitable journey, and not very happy about it. a row of carriages and horses parade in front of a block of inner-city homes. from my location, visibility is low and not enough to hear what it happens, but clearly see the protagonist and Washington have a very brief conversation. The scene cuts time before a couple of times by problems of coordination of movement, and as our time on the set is finished, we fail to see the final shot. However, we have seen enough to know that awaits us an interesting trip, so the return to the past that visually provides, for the internal fight between animal instinct and social rigidity, ie, between John Clayton and Tarzan. As we move away from the set everything it goes back to normal. there are no old men or strange tribes who transported us to another time and another place. All that is left is very curious to see how John Clayton is reconciled with its origins and become, once again, in the simian man going through the jungle climbing trees, swinging on vines and making the cry we all know .